Movie Review: FOR THE LOVE OF SPOCK is a touching tribute to one of pop culture’s most enduring and beloved figures. A must-see for Trek fans.

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For The Love Of Spock, as director and interviewer Adam Nimoy explains early on, is not the movie that would have been made if his father Leonard had not died in 2015.  Originally, the documentary was supposed to be a full on exploration of Star Trek’s beloved Mr. Spock, but Nimoy’s death turned it into more of a biopic about the man, rather than the character.  Of course, a documentary solely about Spock would inevitably have focused a lot on Nimoy himself and may not have turned out too different from the work that eventually came to be, but the differences would have been notable, I think.

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Movie Review: THE SHALLOWS – Blake Lively fails to stand out in a frustratingly annoying shark-attack movie.

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I can’t understand some people’s definition of horror.  Having watched The Love Witch, and found almost nothing horrifying about it, in either execution or intent, I watched The Shallows, which is described in various places as a horror-thriller, or survival-horror.  I admit, I’m a horror purist, but I just cannot imagine a definition of the horror genre so elastic it stretches far enough to encapsulate either of these two movies.  Especially The Shallows.  And I’m not talking about scary movies, because there are plenty of non-scary movies that are clearly horror.  The Shallows is NOT horror, it’s never even close to being horror, and I’m going to put words in the mouths of the writer (Anthony Jaswinski) and director (Jaume Collet-Serra) when I say this was never intended to be a horror movie.

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Movie Review: THE LOVE WITCH – extremely faithful homage to the camp horror of the 60s and 70s, with a great performance from its star.

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I’ve seen some bizarre movies in my time, and I have to say, The Love Witch is up there.  If you haven’t heard of it, you’re not alone.  Released in November of 2016 it ended up with a domestic box office of less than a quarter million, but I feel it’s going to have an extended streaming shelf life through word of mouth.  Billed by many sites as a horror movie, I’ll tell you that it barely rises to meet that definition.  The witchcraft driven plot isn’t strong enough for it to be considered horror – it’s more of an occult thriller than anything else.

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Movie Review: 99 HOMES – compelling drama told within the recent global meltdown, featuring standout performances by Andrew Garfield and Michael Shannon

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There’s a scene in The Big Short where three of the protagonists fly to Florida to see for themselves just how quickly the housing market is approaching critical mass, and when they get there and cagily discuss the situation with two clueless douchebro real estate investors, they leave convinced that all the projections they’ve been privy to are actually on the level.  It’s one of the best scenes in the movie, and in a weird way, it reminded me of movies where a team of biologists try to track down the source of a disease outbreak.  Considering how the collapse of the sub-prime mortgage market triggered a global meltdown, the disease analogy seems pretty apt.

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Movie Review: TRAINSPOTTING 2 – good, but uneven sequel that favours sentimentality over the anarchic spirit of the original.

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At least once in our lives we’ll be stricken with a certain trepidation about how the present matches up with memories of the past.  It can be an old flame that’s been rekindled over years; the reunion of a favourite band, the comeback of a sports idol, an attempt of ours to somehow recapture past glories, to see if we still have it.  Sometimes lightning can strike again, but more often than not we’re vaguely unsatisfied by version 2.0, and we begin to doubt ourselves.  Was the original time around really that good?  Are those memories seen through the rose coloured lenses of nostalgia?  There’s only one way to find out, though.

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