COMIC BOOK REVIEW – FANTASTIC FOUR 232: “BACK TO THE BASICS!”

In 1981, years before the internet was a thing, I wandered into my local newsagent in Springburn, a neighbourhood in Glasgow, Scotland, looking to see if John Byrne had resumed the art on The X-Men.  Byrne was my favourite comic book artist, and had been for a few years by then, from his work on The Avengers, Marvel Two-In-One, Marvel Team- Up, and a few other titles.  The X-Men was the jewel in the crown as far as I was concerned.  I didn’t know what happened to him after his last issue the previous year, and assumed he’d be back on the title.  So it was quite a surprise to see his distinctive style on the cover of The Fantastic Four, a comic I only read occasionally, and mostly in the black and white Marvel UK reprints.

Continue reading “COMIC BOOK REVIEW – FANTASTIC FOUR 232: “BACK TO THE BASICS!””

THE WORLD’S GREATEST COMIC MAGAZINE – my thoughts on John Byrne’s run on Marvel’s first family

FF PIN UP

In 1981, fresh off a defining run on the X-Men with writer Chris Claremont, Canadian comic book creator John Byrne turned his attention on The Fantastic Four. Once Marvel Comics’ flagship title, The Fantastic Four had become a middling comic book in the 70s, its position usurped by the X-Men due to engaging, tight plotting, well-defined characters, and a strong sense of realism in both the writing and artwork, not to mention powerful, cinematic drama. The Uncanny X-Men was the premier comic book title of the time, and John Byrne was a major component in its rise to prominence. When creative differences with Claremont and editor-in-chief Jim Shooter soured Byrne on The X-Men, he asked for, and was given, full creative rein on The Fantastic Four, beginning with issue 232, with a cover date of July 1981.

Continue reading “THE WORLD’S GREATEST COMIC MAGAZINE – my thoughts on John Byrne’s run on Marvel’s first family”