Movie Review: SPIDER-MAN: FAR FROM HOME a serviceable addition to Marvel’s growing list of franchise pics, but nothing more than that.

It’s hard to believe, but as of this year’s Avengers: Endgame, Tom Holland has donned the spider-suit in more movies than any other actor, and it’s only been three years since his first appearance in Captain America: Civil War!  To my knowledge, only Nicholas Hammond has played the character more than him.  This time around, it’s in his second solo outing, subtitled Far From Home.

Early in the movie, the lingering effects of the Avengers epic are dealt with: the “snap” which killed off half of the universe’s population – including Peter Parker and his closest school chums – and the loss of Tony Stark as Peter’s mentor.  Ok, I’m sure that second one is a massive spoiler to anyone who hasn’t seem Endgame, but after a couple of months, that’s kind of on you.  Following the snap, undone by The Hulk in Endgame, that half returns, but it’s after a five-year gap in which those left behind have gotten older.  There are a couple of jokey references to this, but overall it felt pretty phony to me.  While everyone keeps saying all this happened five years ago, there’s almost zero evidence that it actually happened, especially given that none of the crew from Spider-Man: Homecoming were affected by it.  There was a great chance to show this to comedic effect by having at least one them appear in the movie five years older, but I felt that the need to stand by contracts hamstrung the writers to the point where all they could do was pay lip service to the event.  And in a weird way, I also feel that the whole Tony Stark/Peter Parker dynamic seemed a little forced too – but only a little.  I never *really* got the sense, even in Homecoming, that a high school-age Peter Parker would really mean THAT much to Stark.  Anyway, I’m digressing.  On to the review!

I tend to get a little windbaggy when I write about these Marvel movies, and how Marvel Comics was a keystone of my early childhood development, and it’s the same with this movie, but I’ll keep it a little light: Spider-Man’s costume is my earliest memory of superhero costumes – my second? Mysterio, in Spider-Man Comics Weekly #5, in 1973, which reprinted the original story by Stan Lee and Steve Ditko from a decade earlier.

I remember loving that costume so much as a kid, and it’s always stuck with me as one of my all-time favourite costumer designs. I always enjoyed the character’s appearances over the decades, so when I heard none other than Jake Gyllenhaal (Enemy, ) was cast as Quentin Beck I was in two minds: on one hand, I’m a fan, but on the other, would he just phone it in as another paycheque job?  The good news is I didn’t think at any time he did.  I had much the same fears over Michael Keaton’s turn as The Vulture, and I was surprised there too.  Is the Spider-Man franchise the one where good actors are hired to play the villains?

The plot of Far From Home is pretty basic: Peter and his high school crew go on a European trip for some much-needed escape from the recent cosmic events, and during this trip, Peter plans to tell MJ how he feels about her.  But while they’re in Venice, a giant Hydro-Man type water-creature appears, only to be confronted by a new hero on the scene – Mysterio.  Well, it won’t come as a shock to anyone that Mysterio is the movie’s bad guy.  I mean, if you went into this movie thinking otherwise, maybe movies are not your thing.  Knowing that he’s the villain of the piece, it makes the next hour or so of the movie a little repetitive while you’re waiting for the inevitable reveal – during which, Peter interacts in an awkwardly, weirdly-written way, with Nick Fury.  You wonder, how can Fury possibly be taken in by Mysterio’s outlandish story?  In a nod to the early and brief days of Alan Moore’s stint at Marvel, Earth-616 gets mentioned by Mysterio as he claims to be the sole survivor of an alternative Earth, now here to help Peter’s from being destroyed.  There’s an answer to Fury’s apparent gullibility much later.  Alongside these scenes, Peter still has to interact with his school friends, and it’s all mildly amusing and somewhat realistic – to a point.  At no time do they feel like real, contemporary teenagers.  They’re all way too wholesome, even MJ who is set up as the mysterious, deadpan, sarcastic chick who’s really only about as “edgy” as someone who makes a point of not listening to Taylor Swift.  Having said that, I mostly liked all the kids in the movie, even though they’re the lightweights that are there to remind long-time Spidey movie fans that this is an “all-new!” version.

My interest was always with Gyllenhaal, and I’ll say he delivered.  Not any kind of award-winning role, and not as meaty as Michael Keaton’s Vulture, but once his motive was revealed I was onboard with it, and I enjoyed how scenes during the key reveal were doled out alongside previously meaningless clips from other Marvel movies in a manner that reminded me a little of Keyzer Soze’s in The Usual Suspects.   From that point on, it’s all about how Spider-Man is going to take down Mysterio, and for me, it made for a pretty good, energetic ending.  What added to it for me is that while Mysterio’s true plans are revealed, there’s still plenty of classic Mysterio/Spider-Man confrontations, which I greatly enjoyed.  I felt like The Vulture, Mysterio was given a pretty reasonable update, and it didn’t hurt that there’s a kind of nod to Mission Impossible in the storyline too.

What prevents me from being more enthusiastic about the movie is that, at over two hours, I felt the action and story flagged along the way.  It felt bloated, and it had a couple of scenes that feel too similar to others in the movie, and while the main plot is the kids’ chaperoned trip to Europe, that felt really redundant to me.  None of the locations in the movie are anything other than interchangeable backdrops, given that they have almost zero interaction with the locals or cultures that they meet on the trip.  That, too, felt phony.  Far From Home is simply the Marvel juggernaut trundling along on its own world tour, vacuuming up money along the way.  The story doesn’t stretch any of the characters, doesn’t really force any great change upon them.  Marvel’s already done that, and it was called Endgame, and Far From Home is far from that.  Stay through the end credits though – there are two fairly meaty scenes that you won’t want to miss.  If you heard they’re amazing and unmissable, that’s not exactly how I felt about them, but they’re worth waiting for.


© Andrew Hope., 2019

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Movie Review: LIFE – shameless A L I E N ripoff, with characters acting so stupidly you’d think you were watching Prometheus.

Dumb movies are everywhere, it’s a sad fact.  In many cases, the box office reflects it (the recent flop known as Baywatch, for example), because the trailers are completely crap.  Other terrible movies will make a pile of money theatrically because of gee-whizz CGI, like the punishing Transformers series, but those kinds of movies tap into a different kind of vibe.  Sometimes people just want a burger and fries, and don’t care about the content.  While the Transformers movies are not my thing, I’ve had a burger myself a time or two, so I understand the appeal.  But what if you’re not trying to make $1 billion at the box office?  What if you’re trying to make a horror movie to do business in the $150M – $350M range?

Continue reading “Movie Review: LIFE – shameless A L I E N ripoff, with characters acting so stupidly you’d think you were watching Prometheus.”

Movie Review: EVEREST – an eye opening look at 1996’s tragic descent from the summit


Everest, directed by Icelandic director Baltasar Kormákur (Contraband, 2 Guns), and written by William Nicholson (Unbroken) and Simon Beaufoy (The Hunger Games: Catching Fire) tells the true story of the ill-fated 1996 attempt to ascend Mount Everest that saw multiple commercial guided tours fall victim to a blizzard during the descent.  The movie is based on the book Left For Dead: My Journey Home From Everest by Beck Weathers, a Texan climber who survived the ordeal, but in doing so lost half an arm, all the fingers on the other hand, and the tip of his nose to extreme frostbite.  Weathers is played by Josh Brolin here, part of an ensemble cast that also includes Jason Clarke (Terminator: Genisys), who plays Rob Hall and Jake Gyllenhaal (Nocturnal Animals), who plays Scott Fischer.

Continue reading “Movie Review: EVEREST – an eye opening look at 1996’s tragic descent from the summit”

Movie Review: NOCTURNAL ANIMALS – an absorbing, frustrating dark drama with a terrific Michael Shannon performance at its core.


The new year is only two weeks old, but Nocturnal Animals is likely going to make my top 5 movies of 2017.  I saw this a couple of days ago on my birthday, a few weeks after being disappointed that it had already left the major theater chains here in Minnesota around Christmas, and I left the movie impressed.  It’s hard to ignore a movie with a cast boasting Jake Gyllenhaal (Enemy), Amy Adams (Arrival), and Michael Shannon (Midnight Special), and even though I still haven’t seen Tom Ford’s first movie, A Single Man,  I remembered the good buzz around it.  On the strength of this sophomore effort, I’ll move it up the queue.

Continue reading “Movie Review: NOCTURNAL ANIMALS – an absorbing, frustrating dark drama with a terrific Michael Shannon performance at its core.”

Movie Review: SOUTHPAW


I’m an eclectic movie watcher for the most part, but I’ve tended to watch and review mostly genre movies for the purposes of this blog.  But I’m not just a sci-fi/horror nerd.  I like other stuff too, y’know!  Hot on the heels of Friday night’s double-bill of Carnage Park and Southbound, I followed Jupiter Ascending with Antoine Fuqua’s boxing melodrama Southpaw, starring Jake Gyllenhaal and Forest Whitaker.  Even if you haven’t seen it, you can successfully see every move the story makes before it happens. Continue reading “Movie Review: SOUTHPAW”

Movie Review: ENEMY


The adjective “Lynchian” gets tossed around frequently, mostly by people who like to sound like they know what they’re talking about when it comes to movie reviews.  I don’t claim to be any great film critic or expert, but I can tell you that I am a huge fan of Lynch’s work.  He’s by far and away the director whose work I seek out above all others.  I don’t even claim to have any great insights into Lynch’s work either.  His work is something I consider to be as close as you can get to art-film without sliding into total subjectivism.  Continue reading “Movie Review: ENEMY”