Movie Review: DIG TWO GRAVES – half-baked, would-be supernatural “gothic” revenge plot with a grossly uncommitted script

The title of Dig Two Graves comes reportedly from the writings of Chinese philosopher Confucius, who emphasized the cultivation of character virtues and wisdom above action.  It’s debatable whether or not he’s actually responsible for the phrase, which essentially is a warning to those seeking vengeance.  Of the two graves, one is for the quarry, but the other is, metaphorically, for the death of the soul of person seeking that vengenance.  In effect, it’s saying that the cost of vengeance on those seeking it is greater than the sense of justice one expects to come from achieving it.  Upon watching the movie, I mostly disagree with using the phrase as the title.

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Movie Review: GET OUT – an above average, well directed thriller that actually says less about race than you think it will.

I was reminded of two other pieces of entertainment when watching Get Out last night – one was the Southern Gothic horror/thriller Skeleton Key, a movie that I quite enjoyed, and Dan Simmons’s horror novel Carrion Comfort, the audiobook of which I’m currently finishing up.  If you haven’t watched or read either of these, to tell you what they’re about would give away the key plot point of Get Out, but chances are you’ll figure it out around the same time I did, which was round about the time the black cars start arriving at the Armitage estate.  This doesn’t mean the movie isn’t worth watching: it is.  Is it horror, though?  For me, that’s highly debatable.

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Movie Review: CAPTURE KILL RELEASE – insultingly dumb, “shocking” found-footage indie horror that annoys more than it disturbs.

Ugh, expectation … it’s a cruel mistress.  Sometimes you get what you wanted, but most times once the thing you’re waiting for finally arrives, you think, “Man, I really hoped it would be better.”  And sometimes the reality is so badly out of sync with expectations, it’s almost wondrous.  My expectations for Trainspotting 2 were tempered by the fact that 21 years had passed since the beloved original movie, and that period encompassed a fair bit of change for me.  Capture Kill Release, on the other hand, showed up on my radar around early December 2016, and I finally got around to viewing it last night.  Talk about badly out of sync! This turned out to be one of the worst movies I’ve watched in recent years.  Knockout poster, though.

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Movie Review: THE VOID – successfully blends its many obvious influences into an entertaining piece of indie horror.

An old school friend of mine shares much the same interest in indie horror as me, so when he recommended The Void, I didn’t waste any time in requesting a copy.  As soon as I started watching it, I realized that I heard about this way back in the distant past of 2016, when it debuted to a strong critical reception at Fantastic Fest, the Texas film festival co-founded by Ain’t It Cool’s Harry Knowles.  The Canadian movie has already garnered a cult following, and it’s not hard to see why.

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Movie Review: FOR THE LOVE OF SPOCK is a touching tribute to one of pop culture’s most enduring and beloved figures. A must-see for Trek fans.

For The Love Of Spock, as director and interviewer Adam Nimoy explains early on, is not the movie that would have been made if his father Leonard had not died in 2015.  Originally, the documentary was supposed to be a full on exploration of Star Trek’s beloved Mr. Spock, but Nimoy’s death turned it into more of a biopic about the man, rather than the character.  Of course, a documentary solely about Spock would inevitably have focused a lot on Nimoy himself and may not have turned out too different from the work that eventually came to be, but the differences would have been notable, I think.

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