COMIC BOOK REVIEW – FANTASTIC FOUR 232: “BACK TO THE BASICS!”

In 1981, years before the internet was a thing, I wandered into my local newsagent in Springburn, a neighbourhood in Glasgow, Scotland, looking to see if John Byrne had resumed the art on The X-Men.  Byrne was my favourite comic book artist, and had been for a few years by then, from his work on The Avengers, Marvel Two-In-One, Marvel Team- Up, and a few other titles.  The X-Men was the jewel in the crown as far as I was concerned.  I didn’t know what happened to him after his last issue the previous year, and assumed he’d be back on the title.  So it was quite a surprise to see his distinctive style on the cover of The Fantastic Four, a comic I only read occasionally, and mostly in the black and white Marvel UK reprints.

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Movie Review: BLACK MOUNTAIN SIDE – some miniscule-budget indie horror movies can be great, but this isn’t one of them.

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The world of indie horror is something I’ve been championing for a while now, as any readers will recall, but like the macro universe of moviemaking, the indie horror scene is full of duds.  For every Darling or Southbound, there are at least a hundred genuine pieces of crap.  All you have to do is look at the horror listings on Netflix to see that.  Now, I understand that many people watch bad movies (of any genre) with their MST3K hats on and blithely rip the bad writing, the cheap FX, the amateur-hour acting – I’ve never been that kind of viewer.  Not that I’m taking the high road here – bad movies offend me, sometimes anger me when I realize I invested my time in something that just wasn’t worth it.

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