Since I watched Spider Man: Homecoming, The Amazing Spider Man 2 has been on heavy rotation on TBS, and I’ve caught a few sequences over the past few days – enough to remind me how mediocre it was – indeed, some parts just descend into outright awfulness. I was never a fan of Andrew Garfield’s two movies – the first one was serviceable, but I joined the naysayers because of the rebooted origin. If there’s anyone alive who knows the character, they already have the origin story down. Dressing it up a little differently and adding a veneer or familial mystery didn’t disguise the fact it was a stupid idea to essentially reboot the character as if the Raimi movies never happened. At the very least, this is what Spider Man: Homecoming gets right.
As soon as Kurt Russell was introduced as Ego, in Guardians Of The Galaxy, Vol. 2, one specific thought came to – how was he going to die? Now, to anyone who reads comics, especially those who remember when comics were a good, fun read, it’s no spoiler to say that Ego, The Living Planet is historically one of Marvel’s cosmic villains. First introduced on the final page of the September 1966 issue (#132) of The Mighty Thor, Ego is defeated in the following issue and vows to never attack anyone else … of course, over the decades, Ego has returned again and again to threaten lots of places and superheroes. But the specific story I immediately thought of was Fantastic Four #235, a few issues into John Byrne’s legendary run as writer and artist. And, as it turns out, I was right on the money. So what does this have to do with the review? I’ll get to it a little later.
AT THE FOOTHILLS OF MADNESS 