Movie Review: 7 WITCHES – low budget and a waaaaay too short running time dilute this indie horror’s potential. Could, and should, have been better.

One of my favourite horror elements is that of black magic, specifically witchcraft, and specifically performed by witches.  I never really took too much to the idea of wizards or warlocks – there’s just something about female practitioners of black magic that appeals to me, they seem darker, somehow.  Not that men can’t – the real world has a much higher ration of evil men to evil women, and maybe that’s where the appeal lies; it’s different in the world of the supernatural.  And I will be even more specific here – I prefer younger witches to the old ones.  Like the archetype of the vampire, there’s a strongly sexual appeal in the youthful-looking witch image.  They’re women who yield power confidently, unafraid, unrestrained.  I’ve always had a thing for Samantha from Bewitched, and Samantha Robinson as The Love Witch is about as sexy (and sociopathic) a practitioner as you could possibly find.  The movie 7 Witches features a another darkly sppealing witch, as part of a familial coven.  I watched this movie last night, knowing nothing about it, arriving as it did from a mysterious benefactor …

Continue reading “Movie Review: 7 WITCHES – low budget and a waaaaay too short running time dilute this indie horror’s potential. Could, and should, have been better.”

Movie Review: GET OUT – an above average, well directed thriller that actually says less about race than you think it will.

I was reminded of two other pieces of entertainment when watching Get Out last night – one was the Southern Gothic horror/thriller Skeleton Key, a movie that I quite enjoyed, and Dan Simmons’s horror novel Carrion Comfort, the audiobook of which I’m currently finishing up.  If you haven’t watched or read either of these, to tell you what they’re about would give away the key plot point of Get Out, but chances are you’ll figure it out around the same time I did, which was round about the time the black cars start arriving at the Armitage estate.  This doesn’t mean the movie isn’t worth watching: it is.  Is it horror, though?  For me, that’s highly debatable.

Continue reading “Movie Review: GET OUT – an above average, well directed thriller that actually says less about race than you think it will.”

AT HOME WITH MONSTERS – Guillermo Del Toro’s traveling exhibition of personal memorabilia is a treat for horror buffs.

For those who don’t know, Mexican writer/director Guillermo Del Toro isn’t just active in the horror and fantasy genres, he’s also a fan of them like you and me, and has spent years assembling an enviable collection of props, personal drawing, note, and sketches, and other assorted memorabilia, at his home in the LA burbs, which he calls “Bleak House”.  The exhibition is scheduled to only make three stops in the US, before heading to Mexico for the final setup.  Here I’m fortunate to live in the Minneapolis/St Paul, where the exhibition is on display at the Minneapolis Institute of Arts until the end of May, and went to see it last Friday with my wife and daughter.  Del Toro is a real hit and miss director for me.  Of all his work, the only movies of his I’ve truly loved are The Devil’s Backbone, and Pan’s Labyrinth.  His Hollywood movies, such as the Hellboy movies, and Pacific Rim leave me utterly cold.  A professed fan of H.P. Lovecraft (my own personal idol when it comes to writing), he’s long expressed a desire to film an adaptation of arguably Lovecraft’s greatest work, At The Mountains Of Madness – a project that had, at one point, Tom Cruise attached to star.  I still hope Del Toro can get it made – he may be the only name filmmaker out there who can do justice to the material.

Continue reading “AT HOME WITH MONSTERS – Guillermo Del Toro’s traveling exhibition of personal memorabilia is a treat for horror buffs.”

Movie Review: XX – selling itself on the gender of the moviemakers, this horror anthology barely rises above mediocre

Horror anthology movies go back decades.  It’s true, kids!  Further back in time than the V/H/S franchise, there was Tales From The Darkside The Movie, a little while before then, Creepshow – a decade before that Amicus played around with Tales From The Crypt, and The House That Dripped Blood.  The format has been around for a long time, and has its origins in the famous EC Comics of the 1950s.  It’s likely to be with us for some time too, but the stories have evolved over the years.  I just finished watching one of the latest such movies, XX – billed with the header “Four Deadly Tales By Four Killer Women”.  What’s this, a feminist horror anthology?

Continue reading “Movie Review: XX – selling itself on the gender of the moviemakers, this horror anthology barely rises above mediocre”

Movie Review: LIFE AFTER BETH – good performances from Dane DeHaan and Aubrey Plaza keep this low key zombie comedy from flatlining.

 

I finally got around to watching Life After Beth ,a zombie “comedy” starring Dane DeHaan (Chronicle, A Cure For Wellness), and Parks and Recreation’s Aubrey Plaza.  The movie, written and directed by Jeff Baena concerns the return from the dead of Beth, Zach’s girlfriend, and the gradual deterioration of things both inside and outside both character’s families.  Doesn’t sound like a comedy, right?

Continue reading “Movie Review: LIFE AFTER BETH – good performances from Dane DeHaan and Aubrey Plaza keep this low key zombie comedy from flatlining.”