COMIC BOOK REVIEW – FANTASTIC FOUR 232: “BACK TO THE BASICS!”

In 1981, years before the internet was a thing, I wandered into my local newsagent in Springburn, a neighbourhood in Glasgow, Scotland, looking to see if John Byrne had resumed the art on The X-Men.  Byrne was my favourite comic book artist, and had been for a few years by then, from his work on The Avengers, Marvel Two-In-One, Marvel Team- Up, and a few other titles.  The X-Men was the jewel in the crown as far as I was concerned.  I didn’t know what happened to him after his last issue the previous year, and assumed he’d be back on the title.  So it was quite a surprise to see his distinctive style on the cover of The Fantastic Four, a comic I only read occasionally, and mostly in the black and white Marvel UK reprints.

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THE WORLD’S GREATEST COMIC MAGAZINE – my thoughts on John Byrne’s run on Marvel’s first family

FF PIN UP

In 1981, fresh off a defining run on the X-Men with writer Chris Claremont, Canadian comic book creator John Byrne turned his attention on The Fantastic Four. Once Marvel Comics’ flagship title, The Fantastic Four had become a middling comic book in the 70s, its position usurped by the X-Men due to engaging, tight plotting, well-defined characters, and a strong sense of realism in both the writing and artwork, not to mention powerful, cinematic drama. The Uncanny X-Men was the premier comic book title of the time, and John Byrne was a major component in its rise to prominence. When creative differences with Claremont and editor-in-chief Jim Shooter soured Byrne on The X-Men, he asked for, and was given, full creative rein on The Fantastic Four, beginning with issue 232, with a cover date of July 1981.

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Movie Review: CHARLIE’S ANGELS – a female empowerment movie so brutally awful you’d think a man wrote it.

I’ll confess to being a boring moviewatcher.  I am not one of those types who can get into bad movies, nor can I ever describe a bad movie that is somehow so bad it becomes good.  I just don’t have that capacity.  Bad is bad.  I suppose I also have a grudge against bad movies.  It takes a lot of money and a lot of talented people to make a movie, and when I watch a movie that fails on the basics, I actually get angry.  And I’m not talking about microbudget productions where anything that rises above competent is a success, I’m specifically talking about multiplex features.  Why do these movies get made?  Who finances them, and why?  These are questions I wondered even before the stupendously terrible Charlie’s Angels had ended. Continue reading “Movie Review: CHARLIE’S ANGELS – a female empowerment movie so brutally awful you’d think a man wrote it.”

Movie Review: TERMINATOR: DARK FATE – Cameron and Co fumble a genuine chance to reboot the franchise, in this “same shit different day” sequel.

The biggest thing that surprised me about this movie was not James Cameron’s much-heralded return to the franchise that made him a household name, it was the fact that it’s already been four years since the poor Terminator: Genisys.  4 years?  I think I’m suffering my own time-travel headache.  And really, the fact that this is the big surprise should tell you what I thought of this latest entry in the 35-year-old sci-fi franchise.

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Movie Review – JOHN WICK CHAPTER 3: PARABELLUM – if you like watching other people play video games, this is the movie for you!

Might as well get it out of the way early: I’m not a huge fan of the John Wick franchise.  As much as I love how they’ve thrust Keanu Reeves back into the spotlight and made him relevant again, they don’t do much for me, which is kind of weird, because I like generally like action movies, and I’m also a fan of the actor.  It should be a good combo … but for me, it isn’t.

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