After watching The Signal, I was left with much the same feeling of frustration I had with Shane Carruth’s Upstream Color, with the only real difference being that I didn’t hate the latter. What these movies had in common for me was a self-indulgent disregard for the audience. I’ve been watching movies long enough to understand and appreciate filmmakers that don’t spoonfeed the audience what their movies are about, and I think I have a good nose for self-indulgence in movies, which I define as movies that throw a lot of disparate elements into the screenwriting blender, except for a payoff that’s either meaningful or logical.
Continue reading “Movie Review: THE SIGNAL – Sci Fi with a story too ambitious for its budget”