I totally avoided Jug Face when it was streaming on Netflix – neither the title, nor the poster appealed, and I read a bad review – but I took a chance with it tonight on the strength of a great performance by Lauren Ashley Carter in Darling, and I wasn’t let down this time either. Indie horror is definitely hit or miss, but unlike Big Studio horror that’s only concerned with how many teens they can open with on Friday night, the indie scene is more concerned with telling stories, and often some real talents emerge.
AT THE FOOTHILLS OF MADNESS 