An old school friend of mine shares much the same interest in indie horror as me, so when he recommended The Void, I didn’t waste any time in requesting a copy. As soon as I started watching it, I realized that I heard about this way back in the distant past of 2016, when it debuted to a strong critical reception at Fantastic Fest, the Texas film festival co-founded by Ain’t It Cool’s Harry Knowles. The Canadian movie has already garnered a cult following, and it’s not hard to see why.
AT THE FOOTHILLS OF MADNESS 