Movie Review: SHELLEY – low-key Danish horror with good performances, but runs out of steam at the end.

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I don’t speak Danish, so part of this is on me, I suppose.  I’m guessing that the likelihood of anyone reading this understanding Danish is sufficiently low for me to say that I would have turned the movie off due to lack of comprehension … the trouble with Shelley is that the movie is mostly in English, so I naturally expected that to continue.  That turns out not to be the case, so the third act continues in unsubtitled format – at least the copy I was watching.  It isn’t a total deal breaker, as the narrative is conveyed well enough by the visuals and direction.  Nevertheless, it would have been nice to have understood the spare dialogue that comes in the third act.

Continue reading “Movie Review: SHELLEY – low-key Danish horror with good performances, but runs out of steam at the end.”

Movie Review: THE BROOD (1979) – Cronenberg’s seminal horror movie goes a lot deeper than just “evil children”. Modern filmmakers could learn a lot.

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I get that it seems redundant to review old movies, but then again, “movie reviews” is a catch all term, right?  I probably won’t make a habit of this, but who knows!  Right now, it’s more of a thought exercise for me, having not seen this particular movie in about 20 years.  I felt that had put enough distance between myself and it so that even if it wasn’t exactly “new to me”, watching David Cronenberg’s 1979 move The Brood in 2016 might allow me to see it with a different set of sensibilities.  I know back then I didn’t so much absorb movies as I try to these days, I was more of a casual watcher.

Continue reading “Movie Review: THE BROOD (1979) – Cronenberg’s seminal horror movie goes a lot deeper than just “evil children”. Modern filmmakers could learn a lot.”