Movie Review: RESOLUTION


Spurred on by Spring, one of the best movies I’ve watched recently, I wanted to see if it marked an evolution in form and style on the part of moviemakers Aaron Moorhead and Justin Benson by catching up on their 2012 feature debut Resolution.  Ostensibly billed as a “horror” movie, it has less in common with the genre than that – it’s more of a mystery movie than anything else, and it’s a good one. Unfortunately, both movie posters I’ve seen (including the one I chose) do the movie a huge disservice. Continue reading “Movie Review: RESOLUTION”


Movie Review: FILTH


About ten minutes into Filth (written and directed by Jon S. Baird, from the novel by Irvine Welsh), I was on the verge of deciding that I hated it.  I knew exactly why I was feeling like this: I absolutely loathed the central character, played by James McAvoy (X-Men: Apocalypse), and I felt that the entire production was trying way too hard to capture the vibe of that other Irvine Welsh adaptation.  Even though I’d read the book about 14 or 15 years ago (Jesus,really?) and knew the major reveal, I went in not fully comprehending how much I could hate a fictional character.  And not only that, Bruce Robertson was being played by the faun from Narnia!

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Movie Review: SPRING


It’s not often that a movie comes along and creates its own genre.  Spring, written by Justin Benson and directed by Benson and Aaron Moorhead (who also created the Bonestorm segment of V/H/S Viral, actually does just that: RomHor!  Does that sound dumb or overhyped?  Probably both, but I feel it’s true.  I’ve seen many a romantic drama, and many a horror movie, and this is absolutely a successful fusion of both in that neither element feels half assed.  The movie poster describes it as Richard Linklater meets HP Lovecraft – not a terrible mashup, but not completely accurate, to me anyway.  This is clearly the movie that Benson and Moorhead set out to make, and I mostly liked it.

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Movie Review: JUG FACE

Jug Face

I totally avoided Jug Face when it was streaming on Netflix – neither the title, nor the poster appealed, and I read a bad review – but I took a chance with it tonight on the strength of a great performance by Lauren Ashley Carter in Darling, and I wasn’t let down this time either.  Indie horror is definitely hit or miss, but unlike Big Studio horror that’s only concerned with how many teens they can open with on Friday night, the indie scene is more concerned with telling stories, and often some real talents emerge.

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only lovers

You might know from reading my review of A Girl Walks Home Alone At Night (if you haven’t, go!  Now!) that I appreciate a good vampire movie, so, enthusiastic about said movie, I fast-tracked Only Lovers Left Alive written and directed by Jim Jarmusch, a movie-maker whose body of work I actually have very little experience of.  I know the name, of course, and I know he’s made a lot of movies, but any previews I’ve seen have never interested me too much.  I came to this movie because of the subject matter, expecting it to be arty and somewhat pretentious, and that’s exactly what I got.

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when animals

I’m quite fond of foreign language horror movies.  Mostly, they haven’t succumbed to the slick move toward PG-13 irrelevance, which isn’t to say an R (or 18) rated movie is full of blood and guts and everything that’s superficial about the genre.  No, I’m mostly talking about the fact that character-driven stories are the keys to good horror.  I know, I know, many people are all about the serial murders of a youthful cast within 120 minutes.  Whatever floats your boat, I won’t judge.  Especially because my own character-driven snobbery doesn’t necessarily produce great movies either.

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